Archive des actualités – Nouveau au RISM

<< < 1 2 3 4 5 > >>

Looking Back on 2021

As with presenting the year’s musician anniversaries, it has become custom for us to take a look back on the past year and share what was most popular with our website readers. These are the year’s blog posts that were read the most often, according to our website statistics:  ...

13 January 2022

lire plus...

Of Misspelt and Corrected Title Pages

Imagine you are an engraver and have spent hours if not days bent over the plate of a title page that you were asked to make by a music publisher – and then you notice an error. What now? Start over? Leave the error? Or is there some way of...

25 November 2021

lire plus...

André Printed Editions Now Dated to Plate Number 1400

We know that plate and publisher numbers are especially helpful when dating the music editions of many publishers from the 18th and 19th centuries. RISM’s A/I volumes, which documented printed music by a single composer, had very few editions from the Offenbach publisher Johann André that were dated. (One of...

25 October 2021

lire plus...

Martorell Collection of Opera Scores Now Online from the Library of Congress

We have received the following from Karen Lund (Library of Congress): The Music Division of the Library of Congress is happy to announce the launch of a new digital collection, the “Martorell Collection,” at: https://www.loc.gov/collections/martorell-collection/ The largest subset of the “Martorell Collection” includes 253 uniformly-bound volumes comprising well over 1,100...

21 October 2021

lire plus...

ICCU and RISM: An Immense Number of Records

RISM has now added over 60,000 records from the Italian union catalog, ICCU. The Istituto Centrale per il Catalogo Unico delle biblioteche italiane e per le informazioni bibliografiche (ICCU) received its current name in 1975 after the Ministero per i beni e le attività culturali was founded. ICCU replaced the...

6 September 2021

lire plus...

Report on a four-week internship at the RISM Editorial Center in October 2020

The following is a report from our former intern, Daniel Kneer: In October 2020, I completed a four-week internship in the RISM Editorial Center, Frankfurt am Main, as part of my BA in musicology. Due to my background in information technology and my musicological interest in archiving and digitization, I...

12 August 2021

lire plus...

Botanists in RISM

The connection between botany and music may not be all that obvious, but in our database you can find over forty botanists, mostly men and one woman. Most of our botanists wrote words that were set to music and they do not have any direct link to the music itself....

9 August 2021

lire plus...

The New Online Directory of RISM Library Sigla

With the launch of the new RISM website last December, we took the opportunity to offer a new and improved Online Directory of RISM Library Sigla. The new directory is updated continuously and is the most complete and up-to-date source of RISM sigla. Currently, there are 8,500 institutions in the...

17 June 2021

lire plus...

Plaine & Easie Tutorial Now Available

We are pleased to announce a new tutorial from the RISM Editorial Center in cooperation with the U.S. RISM Office at Harvard University. This tutorial focuses on entering music incipits in RISM’s cataloguing program, Muscat, using the Plaine & Easie Code. The Plaine & Easie Code is a library standard...

10 June 2021

lire plus...

How Small Changes Can Cause Great Confusion

In the course of revising catalog entries for printed anthologies to 1700, we always encounter more complex cases. John Playford’s The Musical Companion, which was published in 1672 and 1673 and is the topic of this post, is a prime example for many reasons. In the printed B/I volume (François...

27 May 2021

lire plus...

<< < 1 2 3 4 5 > >>

Parcourez l’archive d’actualités par catégorie ci-dessous ou utilisez le champ de recherche ci-dessus.

Catégories

Copyright

All news posts are by the RISM Editorial Center staff unless otherwise noted. Reuse of RISM’s own texts is permitted under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. In all other cases, please contact the individual author.

CC_license